Káma-Kapúska! Making Marks in Indian Country, 1833–34Main MenuScholarly ArticleWied-Neuwied’s Journal PagesA Sample ExhibitionNumak'aki Persons and ThemesProject NarrativeSourcesKristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029
Karl Bodmer, Mandan Buffalo Robe, 1833.
12019-10-19T10:36:05+00:00NCAW admincd3b587942c3e2c7cb2b102ada8433ef3c32db5b42Karl Bodmer, Mandan Buffalo Robe, 1833. Watercolor on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 1986.49.309. Artwork in the public domain; image courtesy of Joslyn Art Museum.plain2019-10-20T13:41:22+00:00NCAW admincd3b587942c3e2c7cb2b102ada8433ef3c32db5b
1ronan/JAM 17.jpg2019-10-19T10:36:05+00:0029 December 18331journal pageplain2019-10-19T10:36:05+00:0029 December 1833
Mató-Tópe visited us with his wife, who wore a very beautifully painted buffalo robe. Mató-Tópe’s heroic feats were portrayed on it; he killed five Indian chiefs. . . . Mató-Tópe went home with his wife. He [wore his] buffalo robe with the hair toward the outside and his little boy on his back. His wife draped the robe around him and tied it firmly to his body. She placed blue cloth, a blanket, and tobacco, which she had bought, around herself and put on her robe. Then she hung her husband’s bow and arrows [over her shoulders], and they left. This man has a very handsome, strong child, whom he loves very much.